At the tip of every photograph lies the materiality, the labor, the dead bird, the masculine body, the boyish body; And similarly there are the two brothers, the twins, one brother holding the other, a hug or a first grasping in front of the world; And when he spoke, I suddenly thought of a child, who must recreate a scene over and over again; The methods improves but the tongue is repeating the old saying “this is me and my brother”, pointing the truth, does things with words; or in Biton’s words “Dogan won life itself. The meticulous execution (each extra-fine brushstroke adding an important detail), the resulting life-like renditions and the consistent format (monochromatic black on white; identical one-size ceramic plates) adhere to the ethos of scientific study.
The Magpie is the only non-mammal species to have the ability of self recognition in a mirror test.
And they are are also the ultimate recycler known for thieving and collecting found objects for their nests.
For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.
‘As my work with natural subjects becomes more detailed, so my subjects become more assertive,’ the artist states.
He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.